Powerful

"Pink Floyd the Wall" is what it was always supposed to be...a visual experience. The music from the original LP hit us hard enough, with such poignant tunes as "Hey You", "Vera Lynn" and "Mother", not to mention the showstoppers "Run Like Hell", "Another Brick in the Wall", and "Comfortably Numb". It was a natural progression that a movie came out, and I'm glad it did. The result is powerful. The film creates an eerie, sad, desperate and pervasive world that envelopes you, taking you in and down with the movie's anti-hero, Pink. His life is one of rebellion and loneliness, and he never quite comes to terms with himself until the end, when it's really too late. From his early experiences with bitter and sarcastic headmasters to his final drug overdose and near insanity, we get to run the gamut of experiences with him, and if it isn't always satisfying, it is certainly compelling. One of the most memorable, tragic scenes involves Pink's crew trying to get him ready for a gig, while he's whacked out on pills and whatever else is handy. As they drag him, wasted and near-comatose, to the show he must play, he hallucinates that he's literally rotting away, while the song "Comfortably Numb" drones ominously on the soundtrack. The result is frightening, and very good.

Not for the squeamish, this movie has many brilliant little moments like this, and as a whole, ranks as one of the more intense dramas ever made.

Pink Floyd: The Wall (1982) d: Parker, Alan

Pink Floyd's top selling album is brought to life by director Alan Parker in this visually astounding and very impressive epic picture. This musical is the story of a fictitious character named Pink (played by Boomtown Rats frontman, and Live Aid organizer Bob Geldof), a burned out rock star, tired from drugs and too much touring. Locked in a hotel room somewhere in L.A., the film shuffles time and space as we venture into Pink's painful memories, each one a 'brick' in the wall that he has gradually built around himself. He withdraws from the world around him, and creates his own trip. The film has little dialogue, and uses visual images with the accompaniment of Pink Floyd's music. The animation by Gerald Scarfe (who is featured on the commentary track along with Pink Floyd's singer Roger Waters), perfectly complements this film. The film is very dark and nihilistic, being more of a celebration of insanity, than not. If you are a fan of the band, then this jam packed disc is probably one of the best music DVD offerings on the market.

Cynicism run amuck...

It seems to me that Roger Waters has us all fooled, that this was actually a parody of the highest order. If you watch the interview with him on the bonus materials on the DVD, you can almost see him smile when he discusses the inspiration for this film. It's a film that we read into it what we will. To a small degree, it is autobiographical (most everyone knows about the incident when he spit on a fan during the Animals tour).

Taking that as a leaping off point, he takes the conclusion of the absurdity of the rock star life to its logical end. And it is brilliant. Pink Floyd was simply not the same after the breakup.

It is visually and viscerally stunning. I used to watch this over and over again and it seemed to tap into what I was feeling at the time and it provided comfort, a sense that someone else could relate to the isolation and loneliness I felt, even in the midst of people. I had to replace my vinyl record several times because I listened to it so much. The movie provides eye candy for the songs.

The plot is quite simple: Pink ('by the way, which one's Pink?') is a rock star whose about had enough of the excess and snaps, journeying into his brain way too far. We see the meltdown unfold and follow the transition to something much more frightening, gaining a vision of just how far human vanity can take us. The songs and the visuals form a cohesive whole.

Sure it's pretentious and takes itself too seriously at times - but isn't that the point? It works.

It's one of the darker takes on this life but it nails it brilliantly. You'll find that many of the scenes are bigger than the context of the film. Many of them could be related to events in the political or social sphere of then and today.

It's a bit dated, perhaps, or I've merely gotten older. But the extras on the DVD make it worthwhile, including the video for 'Hey You' featuring footage that didn't make it into the film.