Numerous films have used The Gunfighter as a title, but if you're looking for the film classic of that name, this is the one. Gregory Peck followed his powerful performance in Twelve O'Clock High (also for director Henry King) with an arguably even stronger portrayal: Jimmy Ringo, celebrated shootist just stepping into middle age and mortally weary of having to defend his legend every time he turns around. His trail takes him to a small town where an old comrade, Mark Strett (the great Millard Mitchell), now serves as marshal, and where Ringo's estranged wife and the son he has never seen also reside, under an assumed name. Over one night and one day, hoping against hope, he dares to dream of a normal life. But there are avengers not far behind, and other threats yet to be counted.

A true classic!

One of the finest westerns ever made, and, by the lack of responses here, one of the least appreciated. The synopsis above pretty much explains the plot: an aging gunfighter, trying to escape his past, his enemies, and new challengers to his title of "big, tough gunny," attempts to convince his estranged wife and son to come away with him to a new life for all of them. His reputation, which he once reveled in, is now nothing but a curse. Will he ever be able to escape it? This not a shoot'em up. Peck's character, Jimmy Ringo, spends most of his time in a saloon reflecting on a life that holds no joy and, most probably, a violent end.

This movie hits upon the themes of the true nature of gunfighting and its real costs which has influenced such classics as "The Magnificent Seven," "The Shootist," and "Unforgiven." If you are a fan of westerns, you will not be disappointed in "The Gunfighter."

Great Peck Highlight

For a Western "The Gunfighter" is a little claustrophobic; it looks like a filmed stage play. But the performances and script are so great this drawback is turned into a virtue. Having just gunned another man in a barroom dispute, Gregory Peck is marooned in his friend marshall Millard Mitchell's village where Peck's estranged wife and son also live, perhaps under Mitchell's protection. The relatives of Peck's latest kill are also after him. It's a fascinating study of how reputation, good or bad, can trap a person in a life he may grow to detest. The climax is a little pat but the whole package is a great movie.

Old gunfighters can't just fade away

Gregory Peck in The Gunfighter, plays Jimmie Ringo, a lanky Texan acknowledged to be the fastest gun in the West. The trouble is that Peck has grown weary of having to prove his mettle time and time again. He is headed home to Cayenne to reunite with his wife and young son from whom he has been estranged for eight years.

Along the dusty trail, he stops to rest and quench his thirst at a saloon, where he is soon recognized by the locals. While minding his own business he is coaxed into a gun duel with a young, snotty and irksome Richard Jaeckel. Jaeckel unfortunately wins the silver medal in that battle. Word gets out and Peck is soon stalked by Jaeckel's three brothers.

Peck slows the brothers down by scaring off their horses on the route to Cayenne. This gives him a small window of opportunity to convince his wife to re-establish the family. He arrives in town and learns that the town marshall is none other than his old partner Mark Strett played by a sympathetic Millard Mitchell. Peck refuses to leave town until Mitchell brokers a deal to allow Peck to meet with his wife and son. The movie ends in the only way that these kind of movies could possibly end in 1950.